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Small Spring Bustle Cage

http://vcomeka.com/vccc/images/1992.160.r.jpg
Back View of Small Spring Bustle Cage

Dublin Core

Identifier

VC1992160

Title

Small Spring Bustle Cage

Description

Small wire bustle cage with 3 springs, with cotton chintz covering, cotton tape, and metal buckle closure.; bustle cage-3 metal coils and light brown cotton chintz covering: wiastband at cotton tape with 1 metal buckle closure; 3 vertical metal coils suspended from waistband at center bacl; tube covering of light brown chintz.

Date

1885 (circa)

Subject

Clothing and dress

Extent

22.5 inches (waist),

Medium

chintz
cotton
metal
wire

Type

Physical Object

Spatial Coverage

United States

Temporal Coverage

1870s
1880s

Rights

http://rightsstatements.org/vocab/InC-EDU/1.0/

Rights Holder

© Vassar College Costume Collection. Images in this collection may be used for teaching, classroom presentation, and research purposes only. For other reuse, reproduction and publication of these images, contact costumeshop@vassar.edu.

Costume Item Type Metadata

Source Identifier

VC1992160

Cataloguer with Date

Arden Kirkland 12/09/1992

Closure Type

buckle

Dimensions Waist

22.5

Dimensions All

22.5 inches (waist),

References

p.27 Museum of Costume. Bath: Bath City Council, 1980

Date Earliest

1880

Date Latest

1890

Culture

American

Gender

womenswear

Classification

costume
clothing

Category

Underwear

Function

underwear

Exhibitions

Vassar Girls and Other Women

Public Information

By the 1880's, the ideal feminine form had changed to a more slender, vertical shape, with the fullness of the skirt moved to the back and further elaborated by the hidden structures of bustle pads and cages such as 1992.158, 1992.159, and 1992.160. Legs were still completely hidden by a full length skirt wrapped and draped around the legs (unable to swing as the crinoline did). The following account of an early Vassar student reflects the extent to which modesty concerning one's legs was still an issue
: 'The chairs on the platform were awfully high, my skirts were starched exceedingly stiff, and I had a terrible consciousness that I was displaying more than the tips of my slippers. I couldn't make any change of position then so I didn't stir while the President made his opening prayer. Then came my show... …I got back to my seat safely, my train behaving like an angel and never turning ovcr or under once during the whole evening, but when I sat down my dress would not stay down, so I finally grew hardened and concluded to appear as if that were the way I 'always came down stairs.' To relieve your shocked feelings I will comfort you as the girls afterwards comforted me with assurances that there was nothing objectionable in view from even the nearest part of the audience.' (letter from Mary S. Morris to Mithery on May 20,1880).

Condition Term

very good

Condition

some fraying at ends of tapes (and of waistband knotted to prevent fraying); 3 small holes at upper center back; slight staining of waistand.

Storage Location

A1

Repository

Vassar College Costume Collection, Drama Department, 124 Raymond Avenue, Poughkeepsie, NY 12604

Exhibition Notes

1880's, the ideal feminine form had changed to a more slender, vertical shape, with the fullness of the skirt moved to the back and further elaborated by the hidden structures of bustle pads and cages such as 1992.158, 1992.159, and 1992.160. Legs were still completely hidden by a full length skirt wrapped and draped around the legs (unable to swing as the crinoline did). The following account of an early Vassar student reflects the extent to which modesty concerning one's legs was still an issue:
'The chairs on the platform were awfully high, my skirts were starched exceedingly stiff, and I had a terrible consciousness that I was displaying more than the tips of my slippers. I couldn't make any change of position then so I didn't stir while the President made his opening prayer. Then came my show... …I got back to my seat safely, my train behaving like an angel and never turning ovcr or under once during the whole evening, but when I sat down my dress would not stay down, so I finally grew hardened and concluded to appear as if that were the way I 'always came down stairs.' To relieve your shocked feelings I will comfort you as the girls afterwards comforted me with assurances that there was nothing objectionable in view from even the nearest part of the audience.' (letter from Mary S. Morris to Mithery on May 20,1880).

Work Type

underwear
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